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Henry Cow - 1975 - In Praise Of Learning (FLAC 24 48, vinyl, 2011 remastered edition, ReR VHC3)

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Torrent File Content (18 files)

Description

Music : Rock : Lossless
      
 

24/48
vinyl rip. 2011 remastered edition on 180g vinyl. ReR Megacorp ReR VHC3. Manufactured and distributed by Goodfellas
(Italy). Originally released  in 1975 as Virgin V 2027.

Side 1
1. War 2:24
2. Living In The
Heart Of The Beast 15:30

Side 2
1. Beginning: The Long March 5:58
2. Beautiful As The Moon -
Terrible As An Army With Banners 7:00
3. Morning Star 6:02

(Moore / Blegvad) - A1
(Hodgkinson) -
A2
(H. Cow / S. Happy) - B1,B3
(Frith / Cutler) - B2

Produced by H. Cow / S. Happy / P. Becque
(WAR was originally engineered by Simon Heyworth, Nov. 74)
Recording and mixing engineer Phil Becque
Recorded at the Manor February - March 1975
Remastered by Matt Murman at SAE, Phoenix Arizona

ART IS
NOT A MIRROR - IT IS A HAMMER - John Grierson.

Tim Hodgkinson: organ, clarinet, piano on A2
Fred Frith: guitar, violin, xylophone, piano on B2
John Greaves: bass, piano
Chris
Cutler: drums, radio
Dagmar: voice
Peter Blegvad: guitar on A2 & B1, voice &
clarinet on A1
Anthony Moore: piano on A1 & A2, electronics & tapework
Lindsay Cooper:
bassoon, oboe

also on A1 Geoff Leigh: soprano sax
           Mongezi Feza: trumpet
on
B2 Phil Becque: oscillator

Vinyl etching:
95575E1/A
95575E2/A

A
team-up with Slapp Happy may seem an obvious meeting of minds in 2000, but not at the time (1975) when all they really
shared was a Marxist outlook and a record label (Virgin). The two bands had already recorded Desperate Straights, which
focused more on songs and Dagmar Krause's vocals. Here, Krause gets one good song, the terrific Kurt Weill-esque
"War" (subsequently covered by the Fall many years later), which leads off the album. "Living in the
Heart of the Beast" takes up the rest of side one, and in long form Kraus seems lost. There's some free noise on
side two, and it's a bit of a waste seeing Mongezi Feza among others play on the album. The best thing to take away from
this meeting is that it went on to produce Art Bears, News From Babel, and several other groups made up from this
spectacular personnel. - Ted Mills, AMG

Among us are those listeners who want an adventure with a bite. They
indure the layers of sophistication, the psychedelic effects and sheer heavyness of the music. They have often found
VdGG's 'Pawn Hearts', a few King Crimson classics and perhaps had some experience with Magma. As a great next step I
would like to recommend giving this specific Henry Cow record a couple of spins, for it is a great avant-prog record
that will satisfy listeners of the beforementioned bands.
Henry Cow is known as one of the bigger English
avant-garde groups. All musicians involved (and especially Fred Frith on guitar, Tim Hodgkinson on organ and Chris
Cutler of drums) are of the highest level, making the music as professional and well performed as the best of Magma
line-ups - an almost unmatchable level of musicianship. On this third record the band cooperated with female vocalist
Dagmar Krause, who in style shows some resemblance to Peter Hammill when it comes to pronounciation and intensity. The
political anti-war lyrics are written in poetic English and fit the developed atmosphere of the music.
The album
opens with the short acid track 'War' with hellish vocals by Krause and Canterbury-like vocals of Blegvad. However, on
the first side the centerpeace, the fifteen minuted avant-prog epic 'Living in the heart of the beast' steals the show.
On side two a shorter but equally impressive doomish avant-prog track 'Beautiful as the moon, terrible as an army with
banners' is accompanied by two avant-garde compositions that might initially put of some progressive rock listeners.
'Living in the heart of the beast'. What if Peter Hammill's evil twin sister was to line up with Lizard-era Robert
Fripp, backed-up by Christian Vander's bombastic and doomish artistic vision in a recording studio in the center of
Canterbury? Add some layers of avant-garde exploration and you might have an idea why this piece is such an highlight of
the progressive genre. Heavy, sometimes atonal, brooming, exploding, dark and profetic in lyrical style. I would like to
add some words of admiration for the brilliant ending section that reminds me a bit of the kick I can get out of
Mahavishnu's 'Hope'.
Conclusion. This record falls between the border of eclectic progressive rock and avant-
garde, yet serves best of both genres. A great daring record that should not be skipped by listeners of eclectic prog,
Canterbury, zeuhl and avant-garde/rio. Five stars. - friso, progarchives.com                                                            Show Demonoid some love
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