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Rhett Miller Four Studio Albums (EAC VBR alt preset standard)

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Mythologies [1989]

Mythologies finds young Texan Rhett Miller sounding curiously British at times during a collection of bare, acoustic
folk tracks. Erroneous accent aside, the 1989 offering gives fans an opportunity to observe the early stages of
development in the career of a great young songwriter. miller's longtime partner in crime Murry Hammond, who would later
join miller in Sleepy Heroes and finally the Old 97s, produces all 13 tracks and performs on ten of them as well. Though
nothing on Mythologies quite reaches the level of quality of later miller/Hammond collaborations, there is some strong
material here. "Iron Child," "Song for Truman Capote," "Redbird Song," and "I'm
Coming Home" show the potential that would be realized on later releases, while the playful "Candy Apple
Corkscrew Hair" is more fun than anything you'd expect to find on a folk album. As to be expected given the young
age at which miller wrote these songs, there are some awkward moments like the unfortunate "Honey in My Tea,"
but for the most part Mythologies is not only a great find for curious Old 97s fans but is also an album that can stand
alone on their own merit. ~ Michael Frey, All Music Guide 



Track Listing

1 Iron Child (2:40) 

2 Days Between Stations (2:44) 

3 Song for Truman Capote (3:32) 

4 Fishbowl (2:26) 

5 Still They Sing (4:28) 

6 Redbird Song (4:11) 

7 Cicada Song (4:07) 

8 Honey in My Tea (3:45) 

9 I'm Coming Home (3:19) 

10 Sea Shell Girl (4:07) 

11 Candy Apple Corkscrew Hair (1:57) 

12 Staten Island Ferry Boat (2:32) 

13 Between Timid and Timbuktu (2:09) 



Rhett Miller Main Performer 

Tim Grugle Engineer, Mixing 

Murry Hammond Piano, Guitar (Bass), Producer, Guitar (Electric) 

Matt Hart Guitar (Acoustic), Vocals (Background) 

Alex Magocsi Guitar, Producer, Guitar (12 String), Vocals, Drums, Percussion 

Brandon Aly Drums, Clapping 



The Instigator [2002]



"One of the year's best pop albums" - Pop Matters 



by Zac Johnson, allmusic

Old 97's frontman Rhett Miller's major label solo debut is almost exactly what fans can expect: extremely well-written
pop songs, heart-wrenchingly delivered, and brightly produced, making for a fine all-around package. The thing that
comes as sort of a surprise is the level of power the missing members of Old 97's would have added if this was a
full-band release. While Miller and producer Jon Brion (Fiona Apple, Aimee Mann) have crafted a bright and sonically
diverse sound for The Instigator, showcasing Miller's obscenely clever songwriting and swooning vocal style, his
individual work is not as strong as any of Old 97's albums. This may be an unfair comparison, since no effort has been
made to mask this as a full-band release, but hearing Miller's unmistakable singing and songwriting style without Murry
Hammond's backing vocals and the rest of the Old 97's chunky country-rock-pop behind him seems a little less than it
could be. 



All "could haves" aside, the album on its own is a barrelful of fun. Brion's trademark sonic roller coaster is
kept relatively in check until the swirling finale, and the country-rock burners "Our Love" "The
El," and the single "Come Around," all sound like Miller and his guests are having a great time. The
brightest points come from his explorations into Cars-era '80s pop ("This is What I Do" and the exquisite
"Four Eyed Girl"). Although this clean geek-pop veers away from the alt country material he'd perfected with
Old 97's, Miller seems to relish the break and really shines in this new light. Comparisons will undoubtedly be made
between Miller and Ryan Adams (both of whom have been involved with genre-leading alt country bands and have done solo
albums), but while it is arguable that Adams' solo works are as good (if not better) than his work leading Whiskeytown,
Rhett Miller's solo turn, while fun and certainly worthwhile, does not overshadow his collaborations with his bandmates.
Still, on it's own, The Instigator is a fine album with enough gems to keep fans of the genre going until the next Old
97's release. 



Additional Musicians: Jon Brion (Background Vocals, Acoustic and Electric Guitars, Dobro, Piano, Hammond B-3 Organ,
Vibraphone, Bass, Drums), Robyn Hitchcock (Background Vocals, Electric Guitar), David Garza (Background Vocals, Guitar,
Bass), Jim Keltner (Drums, Percussion), Dan MacCarroll (Drums), Lenny Castro (Percussion), Chrissy Guerro (Background
Vocals)



Track Listing

1. Our Love 

2. This is What I Do 

3. Come Around 

4. Things That Disappear 

5. World Inside the World 

6. Point Shirley 

7. Four-Eyed Girlg 

8. Hover 

9. The El 

10. Your Nervous Heart 

11. I Want to Live 

12. Terrible Vision 





The Believer [2006]



"The Believer is literate, funny, sexy...the thinking man?s pop record" - Esquire 



by Thom Jurek, allmusic

Rhett Miller's third solo offering, like 2002's The Instigator, is a lush collection of great melodies wrapped brightly
around catchy lyrics about the same subject he's been writing about since he began fronting Old 97's. Produced by George
Drakoulias ? who has worked with the Black Crowes, the Jayhawks, the Cult, Tom Petty, and Maria McKee, to name a few ?
The Believer has a clear, wide-open ring. Guitars are the driving force on this set, where Miller's lilting pop voice
sails and swoops, emoting sincerely (even if he is a bit overwrought in places) while Matt Chamberlain's strings, and
keyboards, fill it all in. Miller has a ton of guests on the album including Gary Louris, Jon Brion, and Rachael
Yamagata (who duets with Miller on the beautiful, country-tinged "Fireflies"). Producers can only do so much,
though, and The Believer is a case in point. Judging by his solo material in general and The Instigator in particular,
Miller writes according to a particular formula. Simple changes, lilting melodies, one topic ? he's focused but at the
same time it feels, with few exceptions, that one song becomes nearly indistinguishable from another. There are
exceptions, though, in the rocking "Ain't That Strange," which is stripped down, with its guitars roiling and
squalling, barely contained in the mix and nearly covering the vocal. Likewise "Delicate," is anything but.
It's a rock & roll song without restraint or apology. It's the exception to the rule, however. That said, there are
some gorgeously crafted moments here, including the jangle pop single "Help Me, Suzanne." No Miller disc would
be complete without its country-rock moments; after all, he is a Texan, and while "Fireflies" is a ballad,
"Singular Girl" is a straight-up country-rock tune with a honky tonk piano and the one-two shuffle beat, yet
it has a chorus worthy of Matthew Sweet's Girlfriend. The quirky metaphor ? "Talking to you girl/is like long
division...." ? is a Miller trademark, and these are everywhere on this set. The Believer may be a formula
recording, but it still satisfies, for the most part, on the level of what it is: a finely crafted pop/rock album. And
since there are so few out there these days that even get close, it stands out and deserves a place on the shelf. It's
one of those albums that in five years you will pull out of the rack, pop in the deck and be delighted with. 



Additional Musicians: Rachael Yamagata (Vocals), Jon Brion (Guitar, Piano, Chamberlin, Bass), Lyle Workman (Guitar),
Patrick Warren (Chamberlin, Keyboards), Salim Nouraliah (Bass), Matt Chamberlain (Drums, Percussion), George Drakoulias
(Shaker, Tambourine), Gary Louris (Background Vocals)



Track Listing

1. My Valentine 

2. Meteor Shower 

3. Brand New Way 

4. Ain't that Strange 

5. I Believe She's Lying 

6. Fireflies 

7. Singular Girls 

8. I'm with Her 

9. Delicate 

10. The Believer (for Elliott Smith) 

11. Question 



Rhett Miller [2009]



On his fourth solo album, local musical hero Rhett Miller brings to mind a young Elvis Costello. His voice has a tinge
of a melodic combination of emotional and detached heartache, which harkens to the early days of Britain's Declan
McManus (a.k.a. Costello). And on his self-titled disc, Miller sings about love, loss and redemption with a pained yet
cool demeanor that gives greater emphasis to his crafty lyrics. 



Miller is at his catchiest when he amps up the beat, lets the drums kick in and goes for pop-fueled angst on
"Nobody Says I Love You Anymore" and "I Need to Know Where I Stand." But he won't be pigeonholed.
Listen to Miller get all Pink Floyd-ish on the ballad "Bonfire" and then completely yet sweetly forlorn on
"Haphazardly." He bops along on the propulsive "If It's Not Love," only to go for textured, refined
garage rock on "Another Girlfriend" and "Refusing Temptation." Those three tunes examine themes of
infidelity and infatuation. He can channel the Beatles ("Lashes") and Costello in a pensive mood
("Sometimes"). 



Rhett Miller is definitely an accomplished piece of work that grows richer with each listen. And how cool is it that the
disc is a total Dallas effort? It was recorded here, produced by the in-demand Salim Nourallah, and the CD packaging
shots of Miller were taken by local photographer Jason Janik. Let's hope this is the solo breakthrough for Miller,
perhaps best known as the leader of Dallas-formed alt-country band the Old 97's. Artistically speaking, he's definitely
ready for national acceptance. 



Track Listing

1. Nobody Says I Love You Anymore

2. Like Love

3. Caroline

4. I Need To Know Where I Stand

5. Happy Birthday Don't Die

6. Bonfire

7. Haphazardly

8. If It's Not Love

9. Another Girlfriend

10. Refusing Temptation

11. Lashes

12. Sometimes



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