Robert Costin - Herbert Howells Organ Music


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Torrent Hash : 663BF3D268E964B9DD7A64E55749AD5B9E3A6892
Torrent Added : 1 Year+ in Music - Music
Torrent Size : 101.61 MB


Robert Costin - Herbert Howells Organ Music
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Torrent File Content (10 files)


Robert Costin - Herbert Howells Organ Music
     01 Rhapsody In E Flat Minor, Op. 17 No. 2.mp3 -
11.17 MB

     02 Sonata For Organ (No. 2) - 1. Vivo, Energico Ed Agitato.mp3 -
16.25 MB

     03 Sonata For Organ (No. 2) - 2. Quasi Lento, Tranquilo.mp3 -
11.42 MB

     04 Sonata For Organ (No. 2) - 3. Allegro Assai.mp3 -
13.35 MB

     05 Intrata (No. 2).mp3 -
11.44 MB

     06 Partita - 1. Intrata.mp3 -
8.52 MB

     07 Partita - 2. Interlude.mp3 -
6.65 MB

     08 Partita - 3. Scherzo And Epilogue.mp3 -
5.61 MB

     09 Partita - 4. Sarabande For The 12th Day Of Any October.mp3 -
7.39 MB

     10 Partita - 5. Finale And Retrospect.mp3 -
9.8 MB



Description



Herbert Howells Organ Music

1 Rhapsody in E flat minor, Op. 17 No. 2
2-4 Sonata for Organ (No. 2)
i. Vivo, energico ed agitato
ii. Quasi lento, tranquillo
iii. Allegro assai
5 Intrata (No. 2)
6-10 Partita
i. Intrata
ii. Interlude
iii. Scherzo and Epilogue
iv. Sarabande for the 12th day of any October
v. Finale and Retrospect

Born in Lydney, Gloucestershire in 1892, Herbert Howells’ contribution to the twentieth century organ repertoire is one of the most significant of any British composer.

He was Herbert Brewer’s articled pupil at Gloucester Cathedral for two years before taking up a scholarship to the Royal College of Music in 1912. There he studied with, among others, Stanford, who described the young Howells as his “son in music”. It is interesting that the man, who in many ways, set the tone for Cathedral music in the nineteenth century should be so closely linked with the man who set the tone for the twentieth. In fact, Howells’ contribution to the Cathedral repertoire dates largely from the 1940s onwards, his considerable early successes being chiefly as a secular composer. Stanford conducted the premiere of his First Piano Concerto (1913), and his 1916 Piano Quartet and 1919 Rhapsodic Quintet for Clarinet and Strings, which both won awards from the Carnegie Trust.

Howells’ career as an organist was brief: he was forced by ill health to quit the post of sub-organist at Salisbury Cathedral in 1917. He later deputised for a conscripted Robin Orr at St. John’s College, Cambridge between 1941 and 1945. He taught at the RCM for many years, was director of music at St.Paul’s Girls School, Hammersmith, between 1936 and 1962, and was King Edward VII Professor of Music at London University from 1950. He was awarded a CBE in 1953.

The death of Howells’ nine year old son, Michael, in 1935 exerted the most profound influence on his music. In fact, he had composed relatively little during the years following Michael’s birth, but the child’s tragic death resulted in the creation of some of Howells’ most beautiful and heartfelt music. A deeply felt cello concerto dating from this time was never completed, but in the late thirties appeared Hymnus Paradisi – perhaps his greatest work. The second set of Psalm Preludes date from the same period.

Much of Howells’ organ music enjoys popularity – the first set of Psalm Preludes and certain of the Six Pieces in particular are regularly heard. The more challenging second set of Psalm Preludes and the three Rhapsodies (op.17) are also familiar. It is a shame that his larger-scale works are unjustly neglected. Of his two Sonatas, the second from 1932 contains some of the most impassioned organ writing from an Englishman. The remarkable, and much later, Partita fortunately is given an airing here. Of her father’s final decline, Howells’ daughter Ursula wrote the following, which is quoted in Paul Spicer’s book, Herbert Howells: ‘In the last months I saw that ‘Hymnus’ was on the radio and I told him it was on. He asked what it was. I told him that he had written it for Michael. He said “I don’t want to hear it”, but I just left it on. And I went through at the end of it, and there he was just lying there with tears streaming down his face saying “did I write that?”’

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