The Eminent Pieces for Chinese Guqin


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Torrent Hash : 02A43849F8D14191FDF3EF13727BC9F6AAE7D51A
Torrent Added : 1 Year+ in Music - Music
Torrent Size : 546.66 MB


The Eminent Pieces for Chinese Guqin
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Torrent File Content (38 files)


The Eminent Pieces for Chinese Guqin
    The Eminent Pieces for Chinese Guqin, Vol. 1
          01 - Wild Swan of Autumn.mp3 -
24.11 MB

          02 -Three Melodies of Plum Blossoms.mp3 -
19.79 MB

          03 - Misty Rivers of Xiao Xiang.mp3 -
22.55 MB

          04 - Hujia, the minor.mp3 -
8.49 MB

          05 - Dialogue between Fisherman and Woodcutter.mp3 -
22.61 MB

          06 - Questioning Heaven in Despair.mp3 -
13.17 MB

          07 - Beautiful Night.mp3 -
6.49 MB

          08 - Frontier in Autumn.mp3 -
24.14 MB

          Cover.jpg -
30 KB

          Tracks.txt -
848 bytes

    The Eminent Pieces for Chinese Guqin, Vol. 3
          01 -Music of King Wen.mp3 -
22.23 MB

          02 - Spring Season.mp3 -
23.14 MB

          03 - White Snow.mp3 -
14.69 MB

          04 - Evening Song of the Drunken Fishermen.mp3 -
12.19 MB

          05 - Music of the Hovering Dragon.mp3 -
13.67 MB

          06 - Flowing Waters.mp3 -
18.82 MB

          07 - Hujia, the Major.mp3 -
31.97 MB

          Cover.jpg -
29.6 KB

          Tracks.txt -
735 bytes

    The Eminent Pieces for Chinese Guqin, Vol. 4
          01 - Missing an Old Friend.mp3 -
15.67 MB

          02 - Spring Season.mp3 -
23.13 MB

          03 - Evening Song of the Drunken Fisherman.mp3 -
10.76 MB

          04 - Orchid.mp3 -
16.24 MB

          05 - Eighteen Episodes of Hujia Music.mp3 -
28.04 MB

          06 - Music of the Water Fairy.mp3 -
15.86 MB

          07 - Woodcutter's Song.mp3 -
23.17 MB

          Cover.jpg -
31.32 KB

          Tracks.txt -
740 bytes

    The Eminent Pieces for Chinese Guqin, Vol.2
          01 - Xiao Xiang Shui Yun - 'Misty Rivers of Xiao Xiang' (1425).mp3 -
23.57 MB

          02 - Guang Ling San (c.220).mp3 -
18.55 MB

          03 - Nan Feng Ge - 'South Wind' (1511).mp3 -
13.61 MB

          04 - Chang Men Yuan - 'Grievance of Changmen' (1937).mp3 -
12.23 MB

          05 - Yu Qiao Wen Da - 'Dialogue between Fisherman and Woodcutter' (1560).mp3 -
14.03 MB

          06 - Wu Ye Ti - 'Cawing of Crows at Night' (1425).mp3 -
19.7 MB

          07 - Mei Hua San Nong - 'Three Melodies of Plum Blossoms' (1425).mp3 -
14.54 MB

          08 - Yang Chun - 'Spring Season' (1425).mp3 -
19.4 MB

          Cover.jpg -
29.3 KB

          Tracks.txt -
796 bytes



Description



 							The guqin ([kùtɕʰǐn] ( listen); Chinese: 古琴) is a plucked seven-string Chinese musical
instrument of the zither family. It has been played since ancient times, and has traditionally been favoured by scholars
and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part
with his qin or se without good reason,"[1] as well as being associated with the ancient Chinese philosopher Confucius.
It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin
is not to be confused with the guzheng, another Chinese long zither also without frets, but with moveable bridges under
each string.

Traditionally, the instrument was simply referred to as the "qin"[2] but by the twentieth century the term had come to be applied to many other musical instruments as well: the yangqin hammered dulcimer, the huqin family of bowed string instruments, and the Western piano are examples of this usage. The prefix "gu-" (meaning "ancient") was later added for clarification. Thus, the instrument is called "guqin" today. It can also be called qixian-qin (lit. "seven-stringed zither"). Because Robert Hans van Gulik's book about the qin is called The Lore of the Chinese Lute, the guqin is sometimes inaccurately called a lute.[3] Other incorrect classifications, mainly from music compact discs, include "harp" or "table-harp".

The guqin is a very quiet instrument, with a range of about four octaves, and its open strings are tuned in the bass register. Its lowest pitch is about two octaves below middle C, or the lowest note on the cello. Sounds are produced by plucking open strings, stopped strings, and harmonics. The use of glissando—sliding tones—gives it a sound reminiscent of a pizzicato cello, fretless double bass or a slide guitar. The qin is also capable of a lot of harmonics, of which 91 are most commonly used and indicated by the dotted positions. By tradition the qin originally had five strings, but ancient qin-like instruments with 10 or more strings have been found. The modern form has been standardized for about two millennia.

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