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Yilmaz Guney

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  Bir sanatcı olarak ''Yılmaz Güney'' olarak bilinir.Ama asıl adı
Yılmaz Putun'dur. 1937 Yılında, Adana'nın Yenice Koyünde doğdu.Topraksız bir köylu ailenin iki
cocuğundan biridir. Dokuz yaşından sonra hayatını çalışarak kazandı.İlk işi dana
gütmekti.Liseyi Adana'da bitirdi.1955'te süren tatbikat sonucu birbuçuk yıl ağır hapis ve 6 ay
sürgün cezası aldı.Oğrenimi yarıda kalmıştı. İlk olarak 1961'de cezaeviyle
tanışmıştı.1962 Aralığında cezasının bitimiyle, muhafazakarlığı ile ünlü,
Konya şehrine sürgüne gönderilmişti.1968'de askere gitti.1970 Nisanında döndu.1972'de, martın
16'sında devrimcilere yardım ettiği gerekcesiyle tutuklandı.Mahkeme sonucu 10 yıl ağır ceza hapis
ve sürgün cezasına çarptırıldı.1974 Eylülünde,bir cinayet olayına adı karıştı
ve on dokuz yıl mahkum edildi.Cezaevindeyken ''GÜNEY'' adlı bir sanat-kultur dergisi
çıkardı.Onüç sayı sonra sıkıyonetimin yeniden gelmesi üzerine dergisi kapatıldı ve
hakkında yazdıklarından ötürü on ayrı dava acıldı.İstenen ceza toplamı yuzyil idi.1981
Ekiminde izinli cıktığı İsparta cezaevine bi daha dönmedi.Sonra da yurt dışına
çıktı.1981 Ekimine kadar, yaklaşık oniki yılını çeşitli cezaevlerinde geçirdi.Bu oniki
yıl içinde ikisi yarı-açık olmak uzere onbeş cezaevi tanıdı.İltica etiği Fransa'nın
Paris ÅŸehrinde 1984'te vefat etti.
  
  Yilmaz Güney
  Biography
  Showing all 10 items
 
Jump to: Overview (3) | Mini Bio (1) | Spouse (2) | Trivia (4)
  Overview (3)
  Date of Birth	1 April 1937 ,
near to Adana, south Anatolien, Turkey
  Date of Death	9 September 1984 , Paris, France (stomach cancer)
 
Birth Name	Yilmaz Pütün
  Mini Bio (1)
  Güney and his work were almost entirely unknown outside of
his homeland Turkey until his 1981 escape from imprisonment in Turkey and his "discovery" the following year at the
Cannes Film Festival for his autobiographical screenplay for Yol (1982), the festival's grand prize winner. Born in 1937
in a village near the southern city of Adana, Güney studied law and economics at the universities in Ankara and
Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yesilcam, the Turkish studio system,
grew in strength, a handful of directors, including Atif Yilmaz, began to use the cinema as a means of addressing the
problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in
Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures
of Turkish life. The most popular name to emerge from the Young Turkish Cinema was that of Yilmaz Güney. Güney was
a gruff-looking young actor who earned the moniker "Cirkin Kral," or "the Ugly King." After apprenticing as a
screenwriter for and assistant to Atif Yilmaz, Güney soon began appearing in as many as 20 films a year and became
Turkey's most popular actor. More than a screen idol, Güney was a Turk who believed in the Turkish people and their
way of life, as well as being personally committed to social change. Although the early 1960s brought some political
reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's
political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not
content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by
1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films
mirrored the feelings of the Turkish people: Umut (1970); Agit (1972); _Acý (1971)_; Umutsuzlar (1971). After 1972,
however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed
during preproduction on Zavallilar (1975) (completed in 1975), and before completing Endise (1974), which was finished
in 1974 by Güney's assistant, Serif Gören. This was a cherished role that Gören would repeat over the next
dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974
as part of a general amnesty, Güney was re-arrested that same year for shooting a judge. During this stretch of
incarceration, his most successful screenplays were Sürü (1979) and Düsman (1980), both directed by Zeki
Ökten. After escaping from prison in 1981 and fleeing to France, Güney was greeted at the Cannes Film Festival
with a Palme d'Or for Yol (1982), again directed by Gören. It was not until 1983 that Güney resumed directing,
telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the
French government. At that point, Güney's name was unspeakable in his homeland; eleven of the films he directed or
appeared in were confiscated and reportedly burned to ashes; even so much as writing about Güney was forbidden.
Despite the great international success of Yol and Duvar, Güney was ultimately a Turkish director for the Turkish
people; his final separation from his home audience must have been even more painful to endure than his years of
imprisonment.
  
  Trivia (4)
  Education: Ankara University (law); Istanbul University (economics)

 Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 405-409. New York: The H.W.
Wilson Company, 1988.
  An ethnic Kurd, Guney was Turkey's most popular actor before he became a director. As his
films got more political, he came under the scrutiny of Turkish authorities and was jailed several times for various
political offenses. In the late 1970s he was convicted, in a very controversial trial, of murder and received a long
prison sentence. He escaped from prison in 1981 and fled to France.
  Has two daughters and one son.
   						

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